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Jamie Lynch: Thanks for the memories


In his final column – after being shown the whip for the last time and outstaying most of his rivals in a 19-year marathon contest – a Sky Sports Racing-bound Jamie Lynch bids goodbye to Timeform.

I went to work on Monday. Went to work again on Tuesday. I was working right through Wednesday; and on Thursday, Friday and Saturday. I chilled on Sunday.

Craig David’s 7 Days was number one in the week I joined Timeform, in August 2000, only I didn’t ‘chill’ that Sunday, nor on many of the Sundays in the nineteen years since, because Timeform, for me, was, and still is, something more than merely a job. Looking back, it’s not over-egging it to say it was akin to finding a soulmate, because I thought I loved racing, but Timeform absolutely loves racing, and once you connect to the patterns, the procedures and the pedigree of Timeform, and its ingrained way of approaching analysis, there’s not much else you think about, or want to think about.  

Going for seventy years, and accumulating over seventy years, Timeform uses the past to power the present, adhering to the principals and practices established by Phil Bull, but augmented by modern thought and technology, meaning Timeform is more robust, and more relevant, now than it ever has been, and, on my last day, here’s eight slightly sentimentally-loaded reasons why that’s the case, if Timeform was an acronym.

T is for time. Phil Bull was looking into sectional times shortly before his death in 1989. Thirty years on, and sectional times are still the exception, rather than the rule, in British racing, despite the greater awareness and appetite, though Timeform has taken upon itself the painstaking process of recording the data manually, day in day out, to understand its significance and to spot the significant. And it’s not only sectionals but also wider time analysis – something that more and more is manifesting in the mainstream – that always has, and always will, set Timeform apart in assessment of performance, literally putting the ‘time’ into Timeform.    

I is for intent. The intent at Timeform to be better, to do better and to analyse better is as refreshing as it is reassuring. There’s confidence but no complacency, there’s sureness but no self-satisfaction, and there’s the intent on improvement, as part of…  

M is for modernisation. Its heritage is the horsepower for Timeform, but the vehicle itself is ever-evolving, as is the fuel, and the innovative means of both assimilating and assessing data is a feature and the future of Timeform, powering a website that’s unparalleled for the breadth and depth of insightful information, for metrics and measurements that have the heft of history but the clarity of the cutting-edge conclusions.

E is for education. It’s a blinkered view, because it’s the only view I’ve experienced, but in terms of the education in racing you get at Timeform, to paraphrase Sir Henry Cecil, it’s the best I’ve ever had, the best I’ve ever seen, and I’d be very surprised if there’s ever been anything better. Everybody who enters the realms of the editorial department at Timeform reaps the benefit of that education, and Timeform reaps the benefit thereafter.

F is for foundations. It has been mentioned already, but the fundamental foundations laid in the distant past is the reason Timeform is still so resonant and relevant today, because the cornerstones of calculating racehorses is, centrally, the same then as now. The means and method might have changed over time, as the world has, but the pillars of performance have stood tall, and have stood the test of time, which is why nobody at Timeform ever minds when it’s sometimes labelled as…  

O is for old-fashioned. Sleepy Hollow. Timewarp. The nicknames are acknowledged, but there’s a knowledge that fashioning certain things the old way is something to celebrate, at least when marrying the old of ‘foundations’ with the new of ‘modernisation.’ It’s a recurring theme, but it’s the special ingredient of Timeform, in that even after 70 years, it’s not growing old but still growing up.

R is for R & D, or Research And Development, which researches and develops Timeform data in a way it has never before been done. At least half of the articles I have written in the last couple of years have been constructed in conjunction with the R&D team, who make symphonies out of the statistical sheets of musical notes. The R&D department is modern-day Timeform’s not-so-secret weapon.

M is for memories, from a purely personal perspective, indulgent but important, none more important than the emergency meeting on June 19th 2012, prompted by Frankel’s earthquake in the Queen Anne, producing the highest rating in Timeform history.

And being a tiny part of Timeform history is the thing of which I’m incredibly proud. Timeform has a lot to say, and to have helped say a few words of it has been a pleasure and a privilege.   

* editor's note * Whilst the black and white picture above makes it look as though Jamie has passed away, he hasn't - he's just gone to Sky Sports Racing and his twitter handle is now @LynchySSR. However, Jamie will be sorely missed here at Timeform, and everyone at the company would like to pass on not just their thanks for everything that he's done, but their best wishes for the next (uniquely verbose) chapter of his life. 


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NAAS 16:10

Sunday 24 March
R. P. Whelan silk R. P. Whelan
Adrian McGuinness, Ireland hot trainer
Paul Hanagan silk Paul Hanagan
Richard Fahey
12. CHARCOR (IRE) 111
Shane Foley silk Shane Foley
Mrs J. Harrington, Ireland
Go to Full Race



1st Joe Fanning silk 8. KING'S ADVICE 1/12f
2nd Charles Bishop silk 6. THAQAFFA (IRE) 33/134
3rd Kieren Fox silk 1 10. LAWN RANGER 7/18
J: Joe Fanning  
All 13 ran.


1st Joe Fanning silk 4. SOLDIER'S MINUTE 5/16
2nd Callum Shepherd silk 4 5. TREACHEROUS 3/14f
3rd Tom Marquand silk ½ 3. GLOBAL ACADEMY (IRE) 10/111
J: Joe Fanning  
8 ran. NRs: 7  9 


1st David Probert silk 4. CROSSING THE LINE 5/16
2nd Shane Kelly silk hd 3. GLENDEVON (USA) 11/43.75
All 4 ran.


1st Charles Bishop silk 5. MADAME TANTZY 11/102.1f
2nd Hayley Turner silk hd 6. NOOSHIN 7/24.5
3rd Harry Bentley silk 6 7. SCENESETTER (IRE) 8/19
8 ran. NRs: 8 


1st Sean Levey silk 9. STAR OF WAR (USA) 8/111.72f
2nd Rob Hornby silk 3 5. MONETA 9/110
3rd Jason Watson silk ¾ 8. SHE'S APPLES (IRE) 5/23.5
J: Sean Levey  
8 ran. NRs: 4  7 


1st Andrea Atzeni silk 7. VELVET MORN (IRE) 15/28.5
2nd George Wood silk 2. HARRY'S BAR 10/111.9f
All 7 ran.


1st Mr M. J. Stenson silk 3. DEWCUP (IRE) 13/27.5
2nd Mr D. N. O'Brien silk 3 2. BLACKHILLSOFDAKOTA (IRE) 14/115
3rd Mr D. O'Connor silk ½ 12. SOVIET PIMPERNEL (IRE) 7/42.75f
J: Mr M. J. Stenson (7)  
9 ran. NRs: 1  4  7  8 


1st Tom Scudamore silk 2. LILLINGTON (IRE) 4/15
2nd Tom O'Brien silk 4. MASTER WORK (FR) 9/25.5
7 ran. NRs: 3 


1st Joshua Bryan silk 8. OLOROSO (IRE) 7/18
2nd Hector Crouch silk 11. LETHAL MISSILE (IRE) 7/18
3rd Luke Catton silk ½ 5. BALATA BAY 20/121
J: Joshua Bryan (3)  
12 ran. NRs: 4 
Go to Horse Racing Results